contemporary, installation

Frederic Geurts – A Fine Line, at Fabrica

July 23, 2010

The work invites you to walk around it, to weave a path between its fragile legs. The viewer cannot grasp it until having gazed from both ends and upwards at points between. A Fine Line by Frederic Geurts is another work about space and the human form. It there any other subject?

We take spatial thinking for granted but without it we could not eat, open doors, or wield tools. It is a fundamental skill, celebrated by art since its very beginnings. Awareness of the body in space has clear utility for war and procreation. And if environments determine us then surely seeing space for what it is can shape our very destinies.

Geurts has cited the Lascaux cave paintings as a direct influence, and such hunting as is depicted there would not have been possible without a clear sense of space. It could be seen as a plan of attack. Human eyes face forward. We have the gaze of a predator. So the history of visual art is almost a history of predation: the sacrifice of gods, the attainment of nudes, the bounty of still lives, etc.

In these capitalistic times, art itself has become the prize, hunted by collectors, museums and art lovers worldwide. That is something to think about next time you find yourself in a white walled space, eyeing up something of great value, trying to get closer, as we all do.

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