This is not a simple work but it is easy to enjoy. It is easy to enjoy if your idea of fun is lying back in bed listening to breakbeats and watching a movie on the ceiling.
The footage shows scrambled data on a VDU, followed by a delapidated caravan in a clearing with a burning wheelchair alongside. Hard to make sense of, but visceral.
And when the bass drops, you feel yourself coming up as if on drugs. With speakers on the bed posts the vibrations shake the whole bed. I did this twice for another legal hit.
But circa69’s installation does funny things to your guts before you even follow the printed instructions to lie back on the squalid looking mattress.
A wall is covered in children’s drawings and somehow these are not sweet, but owing to their repetitive quality also somewhat creepy. They have run amok.
Then there is the wheelchair, present here as a sculpture too, destroyed by fire and sitting redundant amidst clods of earth. It is hard not to believe something terrible has happened here.
The brain struggles to construct a narrative around these elements: who occupied the chair?; did the children start the fire?; who lives in the caravan?
Half of the sense of danger here comes from the unknowability of these things. But thanks to the visual, aural and tactile impact, you really feel the backstory matters.
So you are left with radical doubt. It is tempting to say if David Lynch made art it would be art like this. But of course the film director does make art and it looks like this.