contemporary art, installation art

Sophie Dickson, Shooting Range (pt 2) (2014)

November 16, 2014

2014-11-15 17_Fotor

At a point of maximal chaos, the objects in this sculpture hang together and you feel you could take your finger off the pause button and return this scene to order.

The tableau is composed of ‘junk’, but white paint gives it a wintry appearance, akin to a seasonal shop window, and perhaps one dressed by an anarchist.

Look closer and you will see a cash till, caught mid air, cash drawer gaping, empty. As a nation of shopkeepers, this is an attack on all we hold dear.

But look it’s okay. The whole thing is kept within a theatrical frame. Despite a lack of glass or limits, there is a notional vitrine, nodding to blue chip art-mongers like Hirst and Koons.

Perhaps following in the footsteps of the former organiser of Freeze, Dickson has taken on a vast space in Circus Street, and for a solo show no less.

Hence she demonstrates a youthful talent for wrangling planning applications and funding bids. She has overcome a mountain of paperwork along with a mountain of junk.

Most of the found objects used here are obsolete, a landline phone, a cassette player. They are perhaps fossilised. But fossils don’t get airborne like this.

I want to say it is rare for explosions to turn rooms like this upside down here in Brighton. Yet in 1984, the whole country was rocked by a bomb in the Brighton Grand Hotel.

But this was six years before Dickson was even born. So one can only guess at whatever ash-covered interiors might have inspired this work. Strangely beautiful, there are plenty of them.

Junk is Beautiful can be found in Circus Street, Brighton, until November 21. See Facebook page for opening times.

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