conceptual art, drawing

Jeffrey Charles Henry Peacock, The Captive (2014)

November 21, 2014
Installation view (detail)
Installation view (detail)

JCHP are a two-man art ‘team’, who have been accused of ‘nigh-on psychotic self-analysis’ (in their own catalogue to boot*). So where to start and what to add?

First, it’s a relief that Jeffrey Charles Henry Peacock are in fact hard grafting artists Dave Smith and Thom Winterburn. Thankfully, they’re not just one horrendously posh bloke.

One of their chief interests is artistic labour. They spend a lot of time making reproductions of historic prints which they have in the past given away or exhibited unfinished.

They have been opposed to conventional exhibiting. Yet both were gallerists before joining forces as art producers, albeit artists whose practice includes exhibition making.

But now they’ve opted for a suck-it-and-see approach with a single drawing on display in a small but critical Brighton space, Neuefroth Kunstallle.

And they’ve gone all out to put their work on a notional pedestal. It is triple mounted and beautifully framed beneath spotlights. That’s some self-conscious over egging.

It might all be just good fun, were not the focus of all this attention being an 18th century print of a desperate prisoner: Sterne’s Captive by Joseph Wright of Derby.

Thus a Laurence Sterne novel, A Sentimental Journey Through France and Italy, offers another frame (of reference) for this lugubrious and slavish copy.

Although in Sterne’s narrative the prisoner is released when guards realise he is the jester Yorick, a literary personage who would have seen the funny side of JCHP’s complex new artefact.

The artists put the seal on this exquisite work with the signatures of both the original artist and his engraver. Their own name appears below this, crisply embossed. The mediation is rich.

But since the exhibition is to be considered as a whole, it’s worth mentioning the dense sheet of A3 text which accompanies the copy, of the print, of the satirical novel.

Here is where the psychotic self-analysis comes into play. The notes are as prevaricating as Sterne himself could be. The language is formal, florid, only occasionally funny.

But for a minute the recollection of JCHP as a some anachronistic dandy comes strutting back into mind. And we might be stuck with the posh bloke. That after all is the art world for you.

The show can be viewed by appointment until December 13 or during a public viewing on Saturday 29 November 2014. See Neuefroth Kunsthalle.

* See Richard Birkett’s essay in Critical Decor: A Short Organum for Exhibition

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