Diane Arbus/Chicks on Speed/Arabicity/July must-sees

Here’s another round up of stories written in the past week for Culture24: Preview: Diane Arbus – Artist Rooms, Nottingham Contemporary Preview: Chicks on Speed – Don’t Art, Fashion, Music, Dundee Contemporary Arts Preview: Arabicity: Such a Near East, the Bluecoat Culture24’s art must sees for July

Howard Hodgkin/Ice Traffic/Fiona Banner/Nothing is Forever/Profusion/The Papered Parlour/Prop

Here’s a belated round up of last week’s stories for Culture24. Click below on any that interest… Preview: Howard Hodgkin – Time and Place, at Modern Art Oxford Review: Ice Traffic in See Further: The Festival of Science and Arts at Royal Festival Hall Preview: Fiona Banner – Harrier and…

Fiona Banner – Harrier and Jaguar (The 2010 Duveens Commission at Tate Britain)

Perhaps all art has ever done is provide visual enjoyment, depsite the questionable values inherent in traditional, modern or contemporary subject matter. Fiona Banner’s latest commission at Tate Britain is indeed problematic, but without question it is still enjoyable. The London-based artist has installed two decommissioned fighter planes in the neoclassical…

Francis Alÿs/James White/Clare Twomey/Surreal Friends

Here’s a round up of the pieces I wrote for Culture24 last week. Enjoy! Review: Surreal Friends: Leonora Carrington, Remedios Varo and Kati Horne at Pallant House Review: James White: New Paintings, Max Wigram Gallery Review: Clare Twomey: A Dark Day in Paradise, Brighton Pavilion Review: Francis Alÿs: A Story…

Francis Alÿs: Paradox of Praxis I (Sometimes Doing Something Leads to Nothing)

The art of Francis Alÿs is a reflection of political realities. In this film he pushes a block of ice around the streets of Mexico City for six or seven hours until it melts. On the same streets, thousands of locals spend their days pushing, carrying or towing wares or…

Preview: Cage Mix – Sound and Sculpture at BALTIC

Exhibition: Cage Mix – Sound and Sculpture, BALTIC, Gateshead, until September 19 2010 If ever a course sounded challenging, it was this one: Experimental Composition at the New School for Social Research; tutor: John Cage. Cage taught the classes towards the end of the 1950s and his students were by…