Browsing Tag: bruno latour


    Book: After Lockdown – A Metamorphosis, by Bruno Latour

    October 1, 2021

    After Lockdown is a slim analysis of life under covid, against the ongoing backdrop of the climate emergency. Latour offers us the possibility that this experience of remote working and super spreading could all offer a lasting change in our mentalities. It could be so radical we swap our human outlook for that of a bug, more specifically the bug into which Gregor Samsa transformed in Kafka’s wildest story, Metamorphosis.

    It might not be appealing to wake up as a cockroach, but perhaps that overnight change is as defiant, in its way, as it is to wake up late and attend an online meeting in pyjamas. In Kafka’s story, Samsa’s boss sends the chief clerk to look for his employee; the roach fails to show up. His parents are at a similar loss; the roach is free to hide under the bed.

    If one cannot stomach the cockroach; perhaps we should draw inspiration from the termite. Latour notes that they live in their mounds, as we do in cities. They cannot really be thought of independently of these giant nests, which they build as they eat, encroach and excrete. We in turn may be considered connected at every turn with the human settlements we so relentlessly build and occupy. Termite and nest are one; human and human environment likewise.

    This seemed one of the book’s most important ideas: that like the termite, our entire habitat is artificial. We must therefore consider ourselves as existing with Earth, rather than on Earth, with a whole network of agents (human or otherwise) and not off them. Latour uses the word holobiont to describe the complex living systems to which each one of us plays host: with bacterial, viral, fungal guests. Likewise we form a chain of dependency with humans and animals near and far. Latour rejects the idea of discrete individuality.

    Unfortunately we live among some rampant individualists. Latour is no fan of the billionaire class and their childish obsession with space travel. It arises, he notes, from a desire to leave our wasted planet as the horizon of ecological collapse draws ever nearer. It’s a fantasy of course. But it indicates a total disregard for what might happen to the rest of us, were Musk, Bezos or Branson actually able to simply escape to a post-apocalyptic base on Mars.

    For Latour, space travel is a desperate, quasi-religious attempt to extend the shallow layer of habitable planet which humanity is currently able to occupy. This so-called critical zone, which extends from bunker to penthouse across the cities of the world, accounts for just 0.14 percent of the earth’s mass. From the point of view of a physicist, or when compared with the universe, we are as lichen to a boulder.

    Once you’ve read about this, it surely increases your feelings of roachlikeness. And once you gather that we each carry around an ecosystem with our bodies, you realise how complex this life on earth is. It’s no wonder that our politics have become enmired in contradiction; naturally, climate change is a war, but who is the opponent? After Lockdown implicates us all in an imbroglio. I came away thinking of the finitude of our space on this planet and the rapid erasure of borders by coronavirus.

    He may invoke Gaia, but Latour is no new age thinker. He endlessly complicates our position with regards to a planet full of microbes and microchips, blue whales and oil refineries. But he offers the prospect of freedom, following a lockdown that resets our engagement with the planet. If we can consign The Economy to history, we can subsist he claims, together, in new ways, and also in new places, under the sun, or better still, under the moon: that poetic body which remains, as yet, unspoilt.

    After Lockdown: A Metamorphosis is published by Polity. (c) 2021. pp.148, available from all good bookshops.


    Review: Bruno Latour, We Have Never Been Modern (1991)

    June 13, 2018

    Although Latour’s contentious book is a mere 145 pages long (in fact he calls it an essay), the notion that, after one reading, this fledgling researcher is qualified to review this for you feels like hubris. However, We Have Never Been Modern reads like a manifesto and, as such, the pages call for a response.

    Latour is known as a thinker within the canny niche known as science studies. It is a branch of enquiry which shares with anthropology an interest in human cultures and examines networks in order to grasp the impact, and limitations, of science. Put this way, science studies appears to be a somewhat marginal endeavour. But the arguments set out in this title, put the specialised discipline centre stage as Latour gets to grips with the differences between premodern societies and the modernism in which technology seems to have wrenched us away from nature. (That’s an oversimplification to be sure).

    Science studies appears to offer a way out of some dead ends which have arisen from modernist thinking and which lead to the playful branch of nihilism we call postmodernism. But the disenchantment of the world appears to be greatly exaggerated. In our attempts to be modern, we are wallowing in a certain self pity, a certain self-dramatisation. Says Latour:

    “Haven’t we shed enough tears over the disenchantment of the world? Haven’t we frightened ourselves enough with the poor European who is thrust into a cold soulless cosmos, wandering on an inert planet in a world devoid of meaning? Haven’t we shivered enough before the spectacle of the mechanized proletarian who is subject to the absolute domination of a mechanized capitalism and a Kafkaesque bureaucracy, abandoned smack in the middle of language games, lost in cement and formica? Haven’t we felt sorry enough for the the consumer who leaves the driver’s seat of his car only to move to the sofa in the TV room where he is manipulated by the powers of the media and the postindustrialized society?! How do we love to wear the hairshirt of the absurd, and what even greater pleasure we take in postmodern nonsense.” Latour (1991) p.115

    Unsurprisingly this is one of the easiest passages in a thesis which, at times, is so topographical that only a scientistic diagram will do. Indeed Latour uses diagrams to map the relations between nature and society, different types of relativism, principles of asymmetry between nature and society, the origins of the divide between nature and society, and so on. If these visuals and the dogged investigative text have a single message, it might be this: the perceived divide between the West and the rest of the world comes down to a rupture brought about by revolutions in science. These changes in the Western self image, date back to Hobbes and Boyle and their experiments with the air pump in the 1660s. There is a scientistic culture originating with these findings, which now sets us apart from the world’s various ‘primitive’ or premodern peoples. So the circumstances around the creation of scientific revolutions are clearly a field which bears examination. This exploration of context is the vital activity of science studies.

    Latour’s book was written in the aftermath of the fall of the Berlin Wall. It’s an event which bookends the whole essay and, according to the author, it reflects, “the conjoined failure of socialism and naturalism”(ibid, p.145), as if neither society nor nature can win out in the false opposition between these two terms. In this context, by way of conclusion he writes:

    “If we do not change the common dwelling, we shall not absorb in it the other cultures that we can no longer dominate, and we shall be forever incapable of accommodating in it the environment we can no longer control.” (ibid, p.145)

    This call for inclusivity and environmentalism has never been more relevant. But it strikes the reader that since 1989 there have been two more ruptures in the march of history: 9/11 and digital tech. It will be interesting to see if Latour’s later works get to grips with a social landscape that could not be guessed at when pundits, like Francis Fukuyama, were predicting the end of history in the wake of the collapse of the Soviet Union. Latour, it should be noted clearly doesn’t buy this. In fact this book attacks the notion of a “coherent temporal flow” (ibid, p141).

    Whatever your interests, this book is compelling and one of Latour’s strengths is to give his writings personal relevance. This is apparent from the opening line here: “On page 4 of my daily newspaper, I learn…” (ibid, p1). But since my own research interest is the work of paleolithic man, it opens vistas which previously one might not have previously dared consider. If we have never been modern, perhaps we have never been prehistoric. His is an essay, and a call to arms, that will bear re-reading and I hope to find new applications for it in the field of archaeology; a discipline growing ever more technologically advanced around the study of prehistoric caves.

    I’m keen to hear from anyone else who’s read Latour. If I’ve got anything wrong, do point it out. And if you have any observations or additional points of interest, the comments section is always open!