Welcome back to the new monthly survey of great shows from public institutions who’ve got their act together online. Cold outside, but it’s quite warm in the UK’s galleries.
James Bridle: Seamless Transitions, The Photographers’ Gallery, London, 6 Feb – 15 Apr. Using planning apps and first hand accounts, tech artist Bridle has visualised some of the buildings which unlucky immigrants see on their way out of the UK. The results appear cold, insidious and seductive.
Lynda Benglis, The Hepworth Wakefield, 6 Feb – 1 Jul. A major new retrospective, which can draw on a career of five decades. See why Benglis held her own in a famous century of American art dominated by men. This major show includes some 50 works.
Florian & Michael Quistrebert: Visions of Void, Dundee Contemporary Arts, 7 Feb – 22 Mar. Fire, shadows, hypnosis and intensity are all promised in Dundee. Immersive work like this won the French brothers a nomination for the 2014 Prix Marcel Duchamp and far out Genesis P. Orridge is a fan.
Cornelia Parker, The Whitworth, Manchester, 14 Feb – 31 May. A major show by Cornelia Parker coincides with a major gallery re-opening. A career retrospective, were it not for new and somewhat convoluted things going on with Blake drawings and local discovery graphene.
Goya: The Witches and Old Women Album, Courtauld Gallery, London, 26 Feb – 25 May. Thanks to his many prints, Goya crops up frequently in survey exhibitions. But here is a fairly novel chance to enjoy his presence centre stage, as a series of occult women power his dark imagination.